Archive for February, 2005

carter the great

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birth of the new cool ( 1968 )

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Bron: artistdirect.com

kerne erickson

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Bron: gregyoungpublishing.com

clifford brown quintet ( 1954 )

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Clifford Brown was born October 30, 1930 in Wilmington, Delaware. As a young high school student Brown began playing trumpet and within a very short time was active in college and other youth bands. By his late teens he had attracted the favourable attention of leading jazzmen, including fellow trumpeters Dizzy Gillespie, Miles Davis and Fats Navarro. At the end of the 40s he was studying music at Maryland University and in 1952, following recovery from a serious road accident, he made his first records with Chris Powell and Tadd Dameron. In the autumn of 1953 he was a member of the big band Lionel Hampton took to Europe.

Bron: jazztrumpetsolos.com

retro motief

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Haute corniche ( 1962 )

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Art Fitzpatrick began his career designing cars. At 20, he designed the Darrin Packard 4-door convertible and hard top sedans, and at 22 was a consulting designer to General Electric. After World War II service as a Naval Officer, he turned to advertising design and illustration, beginning with 8 years of Mercury, including 4 years of Lincoln ads. Before GM obtained his exclusive services (20 years worth), he did ads for Nash, Plymouth, Chrysler, Kaiser and Studebaker. During these years, he also did art, graphic and product design for other Fortune 500 clients.

Van Kaufman went from art school to Walt Disney Studios, where he became a key animator and director. He served in the Army Air Force in the war, producing and directing training films. Back to Disney, he then left to travel and live in Europe for a while, and then to New York and advertising and editorial art. In 1951 Fitz, having admired Van’s art for an Italian Line campaign, suggested him for the backgrounds on the Mercury ads.
That began a 24 year collaboration and a 43 year friendship that lasted until Van’s death in 1995.

Bron: www.fitz-art.com

lester young ( 1954 )

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Although many of his recordings in the 1950s were excellent (showing a greater emotional depth than in his earlier days), Young was bothered by the fact that some of his white imitators were making much more money than he was. He drank huge amounts of liquor and nearly stopped eating, with predictable results. 1956’s Jazz Giants album found him in peak form as did a well documented engagement in Washington, D.C., with a quartet and a last reunion with Count Basie at the 1957 Newport Jazz Festival. But, for the 1957 telecast The Sound of Jazz, Young mostly played sitting down (although he stole the show with an emotional one-chorus blues solo played to Billie Holiday). After becoming ill in Paris in early 1959, Lester Young came home and essentially drank himself to death. Many decades after his death, Pres is still considered (along with Coleman Hawkins and John Coltrane) one of the three most important tenor saxophonists of all time.

Bron: musicmatch.com

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