Johannes in retroland

Archive for the ‘platenhoezen’ Category

b. 28 August 1928, New York City, New York, USA, d. 4 August 1993, Copenhagen, Denmark. A child prodigy, Drew studied piano and music, making his first records in 1949 with Howard McGhee. In the 50s, he was much in demand for recording and club sessions by mainstream and modern musicians such as Coleman Hawkins, Lester Young and Charlie Parker. He worked regularly with Buddy De Franco and appeared on John Coltrane’s seminal Blue Train. Towards the end of the 50s he worked with Buddy Rich, but by 1961 Drew was resident in Paris relocating in 1964 to Copenhagen, where he lived until his death. (…)

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Perhaps the single album that best sums up Bobby Hutcherson’s early musical personality, Components is appropriately split into two very distinct halves. The first features four Hutcherson originals in a melodic but still advanced hard bop style, while the latter half has four free-leaning avant-garde pieces by drummer Joe Chambers. (…)

( … ) Known mainly for seven records on the Blue Note label with a host of players including such luminaries as John Coltrane, Art Farmer, Donald Byrd, Jackie McLean, Hank Mobley, Art Taylor, Paul Chambers, Wilbur Ware, Philly Joe Jones, and others, Clark actually made his recording debut with Teddy Charles and Wardell Gray, but left soon after to join Buddy DeFranco. His work with the great clarinetist has been documented in full in a Mosaic set that is now sadly out of print. Clark also backed Dinah Washington, Serge Chaloff, and Sonny Criss before assuming his role as a leader in 1957. Clark’s classic is regarded as Cool Struttin’ but each date he led on Blue Note qualifies as a classic, including his final date, Sonny’s Crib with John Coltrane. ( … )

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Overshadowed throughout his life by his friends Bud Powell and Thelonious Monk, Elmo Hope was a talented pianist and composer whose life was cut short by drugs. His first important gig was with Joe Morris’ R&B band (1948-1951). He recorded in New York as a leader (starting in 1953) and with Sonny Rollins, Lou Donaldson, Clifford Brown, and Jackie McLean, but the loss of his cabaret card (due to his drug use) made it very difficult for him to make a living in New York. After touring with Chet Baker in 1957, Hope relocated to Los Angeles. He performed with Lionel Hampton in 1959, recorded with Harold Land and Curtis Counce, and returned to New York in 1961.(…)

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b. Horace Ward Martin Tavares Silva, 2 September 1928, Norwalk, Connecticut, USA. Silver studied piano and tenor saxophone at school, settling on the former instrument for his professional career. Early influences included Portuguese folk music (from his father), blues and bop. He formed a trio for local gigs which included backing visiting musicians. One such visitor, Stan Getz, was sufficiently impressed to take the trio on the road with him in 1950. The following year Silver settled in New York, playing regularly at Birdland and other leading venues. In 1952, he began a long-lasting association with Blue Note Records, recording under his own name and with other leaders. In 1953, he formed a band named the Jazz Messengers with Art Blakey, who later adopted the name for all his own groups. ( … )

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